The idea behind embarking on this journey around the world had always been that the world is full opportunity. To find it though, we must be completely open to it. I don’t mean searching through a job site. I mean doing what you are passionate about. For April and I, it is travelling, writing, filming, learning and experiencing local culture. Since our arrival in Antigua, Guatemala we have found so much support for our work featuring local places, people and events. We’ve already had our articles shared on huge social media platforms, been on television and networked with amazing people who respect and admire our choice to put our faith in the universe. Most recently, April and I were invited to partake in a collaborative project creating a traditional alfombra with local school children from Escuela Luis Mena. The project, a yearly tradition sponsored by George’s Travel Club, is intended to educate and encourage participation of children. It also gave us an opportunity to learn a new perspective on the activity, normally a labour of devotion, gratitude and penitence. (More on the cultural understanding of alfombras here.) We teamed up with talented videographer Alex Jones for a new channel called Antigua Cultural. The mini-documentary will feature a complete birth to death time-lapse video of this temporary work of art by the children, through the moment where the single anda Santa Ines procession carries Jesus Christ and the Virgin Mary over the alfombra offering. We also had the opportunity to interview the children and their teacher, Alejandro, about the meaning of their project and get first-hand insight into how their young minds attribute significance to this beautiful tradition.
On the second Friday of Lent, we joined thousand of people making the pilgrimage to a hilltop church outside of historic, colonial Antigua, Guatemala. The church was packed with wall-to-wall parishioners who came to honour the ‘Venerada Imagen de Jesús Nazareno, Aldea Santa Inés del Montepulciano.’ We were calmly sucked into continuous rotation of Guatemalans trying to reach the pulpit. The altar has been replaced by an exquisitely adorned handmade ‘carpet’ of coloured sawdust, flowers, fruits and vegetable, a cultural staple of Easter in Guatemala. Above the carpet, a nativity scene is set depicting a story from the bible. They come to pray, to ask for forgiveness and to give thanks. And they come to take pictures of the stunning display this year. (Changes every year)